When novelists borrow from real horror… Red Széll joins us to trace the tangled line between actual crime and literary fiction. From 19th-century murder pamphlets to modern thrillers like Sadie and A Good Girl’s Guide to Murder, does storytelling serve truth better when it breaks free from fact? We reflect on the allure, and the ethical dilemmas, of turning tragedy into story.
When novelists borrow from real horror… Red Széll joins us to trace the tangled line between actual crime and literary fiction. From 19th-century murder pamphlets to modern thrillers like Sadie and A Good Girl’s Guide to Murder, does storytelling serve truth better when it breaks free from fact? We reflect on the allure, and the ethical dilemmas, of turning tragedy into story.